Tag: singers

On Walking out of a play

Last night the wife and I went to watch what we thought was going to be a play at KH Kala Soudha in Hanumanthanagar. It was supposed to be “directed” by RJ Vinayak Joshi and “starring” among others TN Seetharam, Master Hiriyannaiah and others. It turned out to be more like a talk show, where Joshi attempted to ‘interview’ these worthies, and they came up on stage and sat on a bench and put senti. And talked on, and on, and on.

I’m not saying it was a total ripoff. The band that was playing at the side was pretty good, with the singers having quite distinctive voices and the music also being quite nice. There was this little standup piece by this guy called Nagaraj Kote, which was probably the only part of the evening that lived up to the announced title ‘Simple is difficult’. Then, there was this frequent dialogue between Joshi, playing “naanalla” (not me) and this other guy playing “gottilla” (i don’t know). And they invited this really old couple to talk about their 50-year-old marriage, and they turned out to be quite funny!

Actually, despite some 15-20 mins of senti by Seetharam sometime in the middle, everything seemed to be going quite well. It was 9 o’clock and time for the “play” to be over. And then Master Hiriyannaiah came up on stage. And started talking. And talking. And talking. He was supposed to be taking a dig at politicians, and he ended up talking just like one of them. Rambling on and on and on. And on and on and on. The band had by then gone off stage, else they could’ve played LedZep’s Ramble On and salvaged the evening.

So there was this debate between the wife and I about whether it was ethical to walk out. A few minutes after Hiriyannaiah started rambling, I thought the theatrepeople had broken their part of the contract – as long as they were within the time that they advertised, they were good. And we were obliged to hold up our end of the contract. But once they overshot, I felt no need to hold up my end of the contract, and having given them the gate money, and my promised 90 minutes, I was now free to walk out.

Of course, I wasn’t going to do something outrageous – like shouting or screaming or talking on my mobile or anything else that might cause disrespect to the performers. All I wanted to do was to walk out.

The wife, on the other hand, felt it would be insensitive on our part to walk out, and that it too would amount to disrespect, and we ought to stay till the end of the show. Her thinking reminded me of what happens in an interest rate swap when one party goes bankrupt – the counterparty is obliged to continue paying it’s share of the swap, and hold up its end of the contract.

I think there’s merit in both sides of the argument, and I kept debating that as I waited until the end of Hiriyannaiah’s rambles when I really couldn’t take it any more and I walked out. So what do you think of this? Do you think it’s ok for performers to expect perfect behaviour from the audience even after they’ve not held up their end of the contract? Do you think it’s ethical for people to quietly walk out of a play that they’re not enjoying at all, as a means of protest? Don’t you think it helps having this part of the feedback loop?

Comments, please.

Yede thumbi haaduvenu format is unfair

A month or so back, I had blogged about yede thumbi haaduvenu, a talent hunt show for young singers on ETV Kannada. I was full of praise for the event. About the format. About the way SPB comperes it. About the judging. Organization. And all that. I think I had written that post towards the end of last season. The new season has just begun. And I have a crib. It is not a minor one.

The format has changed. Last time around, it was a “normal knockout”, with round of 16, quarters, semis, final, etc. Each round would have four contestants of which two would progress to the next round and two would get eliminated. It was a nice and clean system – considering that any non-knockout format for a TV show isn’t a good idea.

Now, they have some sort of a serial knockout. Each episode has four kids, of which two get knocked out. The two who survive compete the following week, with two new people. Two out of these four qualify further. And so on.

This might have been an excellent format – if only the players were robots. If only the players didn’t have that human element called “form”. The format as it is right now is heavily biased in favour of kids who join the program in later rounds. Maybe they have been seeded there based on qualification placings. Nevertheless, it is wrong, and puts the kids who join early at too much of a disadvantage.

Kids who join early need to be at their top form for a larger number of episodes than those that join later. Sustaining an above-average performance over a larger stretch of time takes much more effort. You will also need to keep in mind that the pressure to perform in such events is huge. For the kids who join later, however, all it takes is for them to get lucky and produce terrific form for  a handful of episodes and they are through.

I suppose the producers of this event simply didnt’ realize that there is something called uncertainty. They would’ve looked at the format and said “this seems simpler for spectators and anyways the best will have to beat everyone else so this is ok”. I’m sure it the people who came up with this format are a bunch of fools who have no clue about either mathematics or about human tendency. I go back to one of my recent posts and call for the so-called “creative” or “qualitative” industry to cash in on the ibanking bust and take in some quants.

I’m reminded of one of the world chess championship (FIDE) cycles in the late 90s. They had a strenuous knockout tournament for a month to decide the challenger. And the winner of this tournament (Anand) then played the reigning champion Karpov who had been directly “seeded into the finals”. Anand got walloped by Karpov. And he had said something like “this is not fair. I have run the full marathon and in the last 100 meters this guy joins the race. what sort of a contest is this”

The current format of yede thumbi haaduvenu is no different. Now, if only the producers were to have some sense.