Redundancy in movies

I’m writing this while watching this Hindi movie called Cocktail, which is being shown on the pay-per-view Showcase channel on Tata Sky. Ten minutes after the movie started, I remembered this review of the movie that I’d read back when I was released, and thanks to that lost most interest in the movie. However, I continue watching, giving company to the wife, and reading papers and writing, as I watch.

The last Hindi movie I watched with any degree of seriousness was Gangs of Wasseypur (1 and 2), which is an absolutely mindblowing movie. While watching that movie, I remember that time moved insanely slowly. After what I thought was an hour of the movie, I looked at my watch only to realize that only half an hour had passed. Each part of the movie (which actually lasts about two and half hours each) felt like it individually lasted five hours! There was so much action that was packed into the movie.

So coming to the point of the post – the problem with most Hindi movies (not of the GoW variety) is that there is heavy redundancy packed into the movie. Each concept that ties into the main plot of the movie is explained so many times, most times not even through different means, that it is quite easy to miss a part of the movie and still be clued in to the overall plot. Not so with the GoW type, where there is absolutely no redundancy built in, because of which you can’t afford to miss even a couple of minutes of the movie, without losing part of the overall plot.

If you were to read Benoit Mandelbrot’s excellent book on the financial markets (The (mis)behaviour of markets), you would be introduced to this awesome concept of “trading time”. In the book, Mandelbrot explains that markets are not uniform – there are times when there is much more action packed into the markets (like the first and last fifteen minutes of trading every day) than in slower times (mostly around mid-day). Thus, to get a better analysis of the market, Mandelbrot explains, you need to look at it not from the point of view of “clock time” but from the point of view of “trading time”, which “measures time” by way of volume of trade.

Drawing an analogy, a movie like Gangs of Wasseypur is like a snapshot of the financial market during the opening 15 minutes of trading. At every moment in the movie, there is so much happening. Scenes are short, and cut abruptly, and say only what absolutely needs to be said. So you get much more “action” for each minute you spend watching the movie.

(Ok I realize that by repeating the funda in the previous paragraph, this post tends more towards Cocktail than GoW.) Maybe that’s why I don’t particularly enjoy most movies that I watch – there is so much redundancy I get bored. Problem with most mango people is that it takes too much mindspace to be focused through the duration of the movie, so they end up losing parts of the plot in movies such as GoW, and so movies such as these are not as commercially successful as slower paced movies.

Upendra’s Super is a funny movie, in terms of the pace at which it moves. The first two hours are full of theatrics, and unnecessary redundancy that makes you ask why you are watching the movie at all. The last half an hour, both in terms of content and the concept it gets across (property rights, concept of ownership, etc.) packs in so much that you leave the hall feeling satisfied. Maybe the two parts of the movie are aimed at different segments and Uppi seems to have cracked the formula!

Business Model for DD

Flipping channels an hour back, I happened to stop at this never-heard-before channel called “DD Bharati”. Usha Uthup was giving a concert that was  clearly recorded for television. Looking at her, and considering that the program had been recorded in black-and-white film, I would suppose that it was ancient indeed. Maybe from some time in the 70s.

The program itself was nice. The sets, for the time, were excellent. Usha was backed up by a bunch of men clad in suits – one on keyboard, a couple on guitars, one on trumpet, one drumming, one on the cymbals and another just swaying from side to side. The songs were all quite good, most of them Usha’s own compositions, and I didn’t think twice about giving up on ESPN Sportscenter Asia, Roland Garros and three not-so-bad Hindi movies in order to watch this program. And while I was watching I thought of this business model for Doordarshan.

The basic idea is that there is a whole lot of footage – all that was shown all through the 70s and 80s – that is quite popular among people and nostalgia-inducing, which is held by Doordarshan. I would be surprised if DD would have licensed out any of its old content to any other channel, if not for any other reason but because so much bureaucracy would have to move for that to happen. Stuff like 80s soaps and sitcoms, shows like the Usha Uthup performance I watched today, etc.

So I think DD can truly profitably run a “nostalgia” kind of channel. The market of people who grew up on these programs in the 70s and 80s is large, and most would prefer to watch re-runs of those ancient shows rather than watch the tripe that is dished out by most channels today. And then there is an opportunity for people to catch up on stuff they missed out on back then for various reasons – for example I missed out on so many cool programs back in the late 80s because our antenna didn’t catch DD2, and I wouldn’t really mind watching those today.

And then those ads – yeah they are available on youtube (and on dd’s own site) but then I’m sure it would be profitable to run those ads now as programs in themselves! The opportunities, I think, are endless. Unfortunately it is a sarkari company that is not interested in profits that is sitting on all these options. The loss, I think, is for us potential viewers.